Celebrate 30 years of the OA.
With original work from Imani Perry, Kristen Arnett, Diane Roberts, and so many others, our Spring Issue honors our past and looks into our expansive future.
With original work from Imani Perry, Kristen Arnett, Diane Roberts, and so many others, our Spring Issue honors our past and looks into our expansive future.
“There’s a lot I learned in journalism school about accuracy and inverted pyramids and the five “W’s”…but when I think of the narrative nonfiction I most enjoy, I have my Southern roots to thank. It was while sitting on a front porch listening to my grandfather that I learned to love a good story.” — Patsy Sims
Includes the first act of Charles Portis’s unpublished play; Kevin Brockmeier returns to seventh grade; a forum of seasoned journalists on what they learned in school; investigating fracking in Arkansas; and much more.
South Toward Home
WHAT IS ‘NEW SOUTH JOURNALISM’ ANYWAY?
by Warwick Sabin
I Don’t Hate It!
THE NUTTY REPORTER
by Jack Pendarvis
Local Fare
SAVORING MUTT CITY
by John T. Edge
From the Archives
TAMING THE GORILLA
by Harold Hayes
with an introduction by Marc Weingarten
Report
MORE SEVENTH GRADE
by Kevin Brockmeier
Writers on Dating
THE UNRELIABLE NARRATOR AS LOVER
by Steve Almond
Comic
HADITHA/KATRINA
by Jess Ruliffson
Fashion
THE OLD MAN WITH NO PANTS
by Harrison Scott Key
Profile
THE SCISSORMAN
by Joni Tevis
Travel
KARMA BUM
by Joe Freeman
Investigation
BACKYARD BATTLEFIELDS
by J. Malcolm Garcia
Kin
WILD MAN BLUES
by Molly Sentell Haile
Nature
FINE FEATHERED FRIENDS
by Nathaniel Rich
SCHOOL OF HARD KNOCKS
A forum with Gay Talese, Patsy Sims, Michael Pollan, James Conaway, Mike Sager, Madeleine Blais, Jon Franklin, Roy Blount, Jr., and Walt Harrington
We asked some of our favorite journalists what they learned in and out of school.
STOP THE PRESSES
by Chris Rose
Life and death at the Times-Picayune.
ORIGINS OF A MURDER
by Alexandria Marzano-Lesnevich
Investigating the crimes—and humanity—of a killer.
DIARY OF A MAD FACT-CHECKER
by James Pogue
Precision only gets you so far.
DELRAY’S NEW MOON
a play by Charles Portis
with an introduction by Jay Jennings
FUNNY UNCLE
LD Beghtol on William Alexander Percy
CHEMICALLY DARKENED LIKE ME
Percival Everett on John Howard Griffin’s Black Like Me
THE SHIFTING SELF
Thomas Larson on The Untouchable Minutes
FOREIGN SON
Ellen Ann Fentress on Richard Wright
SEER-SUCKER
by Andrea Null
[THE MOUTH IS AN ENTRANCE]
by Magdalena Zurawski
Two Poems:
THE BAPTISM and ARKANSAS
by Jesse Nathan
Cover: “I’m a cowboy who never saw a cow” (2012) by Otto Lange